Bifo: "From any point of view this is the most effective, which means the most unreadable, the most a-significant, which means the best expression of the present, which means the best expression of “nothing”. Nothing is the core of it: darkness and a small light, which are neither hope, nor a possibility or a way out, but just nothing. By a philosophical point of view this is the deepest nothing I ever saw. Especially because all this happens in the outskirts of Tel Aviv, and this is absolutely evident reading the image, which is dark" Patrick Lichty: "When considering the finalists, I found it difficult to evaluate in terms of utter valuelessness, abjection, and non descriptness. Anything with a figure in it engendered far too much affect or desire to contextualize the mis en scene. The winner, “Too Late in Tel Aviv" gave just enough information to establish a theme, but gave absolutely no context nor real visual information to give it any depth" Konrad Becker: "Hardly visual information, and mysterious - the drawback is that it provides a descriptive title - but the transcript of conversation adds extra meaninglessness..."